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Recent Publications

Again, Jewish Women of Words has published Tovli's writings:  A memoir entitled "The Poet Lets Go" is now live at 

https://jewishwomenofwords.com.au

Jewish Women of Words

Have supported Tovli's writings since 2021. 

Please visit  

https://jewishwomenofwords.com.au

Kent State University has published an anthology entitled:  Light Enters the Grove.

Tovli's poetry is included under FOREST...The Eastern Red-Backed Salamander. 

An online version can be accessed at:  
Eastern Red-backed Salamander - CVNP (travelingstanzas.com)

Tiferet Journal

(autumn- winter 2018)

has published 

Skies... 

a short story by Tovli ​

http://tiferetjournal.com/

Aunt Lily... 
A Prose Poem
will be appearing in Proem Journal
in mid 2020 
https://proemjournal.wixsite.com/proem

Examples of recently published writings by Tovli

From last year's April is Poetry Month--2025


How to Organize a Book of Poetry

Collection Process:
Call out, always at night. This is not a time to practice democracy. Recognize the art of prejudice. Set eligibility standards and adhere to them. If a poem sheds tears, squeaks out a whining sound, or dares to reach for a twentieth-century protest placard, don’t indulge in rewrite process therapy--get rid of it.

Selection Politics:
Be a good poet. Love your little poems. But they’re grown now, they need lives of their own. Let them pay rent. Give them the car keys. With closed eyes, turn them into word groups—little seeds that grow beyond their expectations. Make them line up along a wall. Give them numbers instead of names. Make them wear sunglasses, so you can’t see their eyes. Identify those that no longer belong. Embrace what remains. Give them all the same name—something that sounds like past and future generations have collided in the present moment.

Leadership Profundity:
Inform selected poems what is expected of them. Those who argue or become difficult do not belong in a collection of word sounds, styles, and forms. Free them, immediately, like you save a bird-chick with brand new feathers—just throw it into the sky and watch it fly away. For these special word-beings, no book is necessary. Reject sentimentality.

Compliance for Eternity:
“Book-poems” will stay with you. They are collected soul-pieces. See to it, they never forget where they came from. Give them valid, renewable passports. Comb their hair, brush their teeth, make sure their clothes are clean, and their shoes are dry. You have only one moment in time to accomplish this. How they look when they leave the pen is how they’ll look forever.

Birth and Death:
Family perpetuity is in your hands. Poetry collected in one place sleeps behind its poet, like an army. Once you’ve filled emptiness and called it a book, pray for its future instead of a face.

Purpose and Loss—book collections reincarnated:
1941—Mama witnessed every poem she’d ever written disappear in smoke and rubble. She hid herself, future poems, and family inside Kazakhstan. She survived and wrote nazi-terror-poetry on the palm of her hands. She mourned her loss forever, but proclaimed: "We’ll return". Mama collected remains for the rest of her life, but the little poems she freed and tossed into the sky joined The Six Million.

The World to Come:
Everything collected comes back. To this day, I remember Mama turning her dead book pages, while she slept, dreaming them back to life and gathering passages she poured into the cemetery. She lovingly kept missing pieces in the center of her body. It was how she organized her book, the story within, poetry sprinkled into the universe.

Even now, I turn her pages in my dreams, waking long enough to put them all together—many sparks shining as one. Organizing one collection after the other, poetry stacked to the stars, poem upon poem.


(c) 2025 Tovli

IDF...Sar EL   (Tovli Simiryan)

Hardly Feeling

 

“For evil to flourish, it only requires good men to do nothing.”

                              Simon Wiesenthal

A charcoal face left in the coffee-house window.

It’s a moment of broken eyes,

apathy spilling like a cascade of icy rivers

forced into one final ocean.

 

We don’t cry anymore.  The trade off?

All disturbance is unifying, like sunlight falling inside rain,

pouring through our eyes until the dust around our shoulders feels wet.

 

It's the point where we disappear,

as if smoke is all we’re good for,

this time rising through three little clouds instead of a chimney,

dissolving and never coming back.

 

An infinite number of stones have covered this grave.

Nevertheless, we find ourselves living from silence.

 

Our consolation?

 

You with your bent face.

You with missing teeth.

The hollow darkness of an echo scratched on glass.

 

And still we are alive.



Tovli Simiryan (c) 2014 

Yesterday--A haibun

My hands are empty.  No weapon, not even a whistle. The twist in my pant-leg is imperceptible, like shifting sand; or so I pretend.  The old man in the cemetery has no grave.  He is crossing his legs.  My new blouse is too big.  I am empty and cannot fill space.  Its billowed sleeves flap in the wind.  Nothing is there, absolutely nothing above, nothing below. The yellow amber necklace brought from Lithuania hangs on a nail in the air someplace.  There—an old house filled with dust is where I should be, empty, with nothing to protect.  No money, clothes or friends; my ledger empty, footprints erased bone by bone.  Nothing is left, not even yesterday.  And yet, one final chance:  the soft clouds of cotton balls, dampened, stuffed like ash to keep my mouth from calling out, caving in, so that during the eulogy nothing will sink into the earth before its time…

     dampened cotton balls,

          absorbing my memories,

               no one is hoping.

 

Tovli  Simiryan © 2014

 

Wait--A haibun

I was waiting for you.  So much time fled, our language flattered the dead like misguided noise.  Not wanting to become worthless, I stopped talking.  No.  Not speechless, voiceless.  It meant nothing.  I am nothing.  It’s not what you say, but how you sound.  Never mind, the town is gone and a piece of each generation with it.  Sunlight passed by a corner, its yellow trail of saliva spitting out a few grey clouds instead of dawn.  So what?  The soldier following us is connected to an oil stain on the ground.  He knows what fails, so why keep hunting.  Why look down.  Later, the moon became your finger nail shining like a light.  I waited.  No one came.   Someday, our memories will begin to rise and then converge.  Right now, I don’t trust a leaking yellow sky; I don’t hear the sound of air breaking inside thoughts.

 

     All over my face,

          throughout my entire body

               I await silence.

 

 

Tovli Simiryan (c) 2014

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